Notes - László Krasznahorkai by Roland Dahwen

reading notes from an interview with László Krasznahorkai

«Let me reply to that by telling you a story. Mihály Vig and I were walking along a street in Pécs together, and I was complaining to him that young people today are so terribly far removed from anything spiritual and intellectual. I said that when I was young, there was at least a handful of us who used to read, compose music, or paint pictures. In other words, we were thinking beings and were possessed by a search for something, which connected us. I was saying that this seems to have died out. To this, Mihály said to me that he thought I was wrong – the people I am thinking of still exist in the same numbers today, but they are not visible. And, pointing up at the windows there, that evening at Pécs, he asked me, “How do you know there is not one sitting up there right now? It is just that they don’t want to meet you as an ‘author’. They are busy. They cannot bear this world and are in some way testing a different one. Perhaps by creating something. Perhaps they are just sad and that’s why they can’t come. And that sadness will lead to something. To another gap for seeing out of the intolerable through to the tolerable. Or,” said Mihály, “he or she is sitting up there alone, reading your book, of all people’s.»


Notes - Joshua Oppenheimer by Roland Dahwen

reading notes from miscellaneous interviews with Joshua Oppenheimer

«this should be not a film simply about impunity and coexistence, this should fundamentally be a film about memory and oblivion, because that’s the real casualty of living for decades in fear.»

«if you overcome the fear of looking, you come out less afraid.»

«the capacity for human evil depends on our ability to lie to ourselves.»

«it was painful to deny myself the escapism of saying 'These men are monsters and they just should be judged', it was painful to not give my self the comfort of saying 'My role is to judge them or build a case and condemn them', because after all the role of artists aught not to be that of a court. We aught to be trying to understand, not trying to condemn. We aught to be trying to empathize - not sympathize. And we should take it for granted that our audiences are smart enough to understand that mass murder is wrong. If we don't understand that, we should get out of this business.»